Live Wires

Photo by Eunice Stahl on Unsplash
Photo by Eunice Stahl on Unsplash

Live wires dare to touch

To spark in cobalt blue

To start a fire and burn the world

To burn this observer, too

Live wires, they dance

They pulse and wiggle like worms

Multicoloured, though browning

Touching each other in turns

Live wires, we were, once

Not split and spitting

But a single conducting cable

From where I was sitting

Live wires drawn together

To kill the gloom

When truly the gloom was ours

In that little, sheltered room


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

The Hesitant Breath

Photo by Chelsea Gates on Unsplash

Sometimes the need to breathe overwhelms. Our throats constrict, tongues swell, eyes bulge like bullfrogs. A blue sky darkens to ocean, the world reversed, our bodies upside down. Not even the earth offers a steadying reassurance, volatile like an undulating sea. We drown, eyes open. We gasp for air. The worst of it? There’s no rational explanation. Just another day or night in a life of many. Just another second on this road called life. 

These moments are fleeting, though occasionally, they linger. But the body always remembers what to do, after all, without a predisposition for breathing, why even have lungs? 

Breathing is what we do when we close our eyes. We leave the body to do its thing as we dream of better. Unlike the accordion that requires a good squeeze, or the bike pump that demands manipulation, our bodies do not. So, why do we need so many teachers to help us? The answer is simple: We don’t. 

Yet we have apps to follow and sites to see, gurus to advise, and leotarded superstars to offer salvation. If only we could breathe like them. If only we could do it right.

And we try. We try so very hard to understand. To appreciate. To live the dream. If we do it right, who knows, perhaps Death will never take us. 

Death, the dark force behind it all. The one who wants us to fail, to gasp, flounder, capitulate. He cares not that we breathe or that we might only sometimes breathe, just that one day we won’t. Even thinking about it makes our chests constrict, breaths shorten, noses block. As dogs before a desert without master or chain, free to explore, but scared to stray far from the puddle at their feet, we hesitate. Death smiles. 

Hesitation is his dark foot in the door. It is doubt. It is a taster. That instant of will our breaths return, even when knowing they should. So, we regather like they’ve taught us. We control ourselves with the skill a baby would admire. We breathe, deep and long, our cheeks puffed out and brows sweating. 

They teach us to listen to our breaths and from there ourselves. The body will know. The body will calm itself. But in this calmness, this cosmic realignment, we hear what our breaths have immersed. An app shuts down. A website fails. A guru collapses to the ground quite dead. The leotard splits to howls of universal derision. 

We breathe because we want to. We breathe because we must. But one day in the not-so-distant future, we won’t. On that day, Death can take us. On that day, our accordions shall not require being played. I, for one, shall welcome it, as I hope will you. 

The End — Almost.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed..

Only

Image by me
Image by me

Only in sadness is happiness found.

Only in melancholy is there a shift to peace.

Only when the ravens bow is life acknowledge.

Only at midnight do we cease to die.

Why?

Only time will tell, and only if we listen.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Cold, Cold, Love

Photo by Kristopher Roller on Unsplash
Photo by Kristopher Roller on Unsplash

Fingers entwine like November branches,
The chill offering pleasurable release;
There’s no benefit to being overly warm.
We swish amongst the decadent leaves
Raining down in shades of gone:
Ah, the bliss of the festering mind. 
A moment in the meadow is a lifetime on the sea;
Translucent waves like polished glass
Revealing only an inverse night. 
The hole looms like a collapsed bed,
And I can’t wait to draw the obsidian sheets high. 
A raven rattles a warning, or a joyful dirge,
Flapping wings to dispel the buzzing bats;
They’ve already consumed the flies.  
She bends low like an avalanche 
Destroying all I’ve ever known, been, seen.
I welcome it, her, this unmarked legacy, 
One colder than my heart. 
The impossible shades of an afterlife found
Embrace this shell and pop out a nutlike soul. 
And though I wish to scream ‘come back’
She spins a maelstrom, shifting time and tide for me,
Only for me, always for me, as she ever has and ever will.
For though our cold, cold love is abhorrent to most,
The universe has just gained two more stars.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Published! – The Silent Raven Calls

I feel very privileged to have had ‘The Silent Raven Calls‘ published by the wonderful Gobblers & Masticadores magazine. This is a dark fantasy story telling how strong the bond between a mother and her daughter is regardless of the circumstances.

If you want a good read offered in many styles (and languages) then you could do far worse than giving Gobblers and Masticadores a try. The good people who operate the magazine have also asked if I would contribute to them monthly, and I’ve agreed, so be prepared.

I hope you have time to read my story, and as always, thank you for reading this.

Richard

Lost in Worlds

Photo by Roy Muz on Unsplash

Lost in Worlds

Lost in worlds so far removed
From time, and tide, and thought
Above the clouds, beneath the sea
Floating in-between
Preferring views not seen but felt
For I am but a man
As sand, I’m filtering
Through the hourglass, now
For each and all to see


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Raven

allef-vinicius-XRLjA9Qq65Y-unsplash

I once watched an artist paint the sky. His brush caressed the canvas like a lover’s kiss. His every fluent movement was poetry in motion. At least, I thought so. The painter did not.

Whether it was frustration, or a lack of imagination, who knew? But the fellow grew so incensed, he snatched each sheet from his easel and tossed them into the wind. There they drifted like enormous snowflakes off to decorate unfamiliar landscapes.

The trees provided shade and anonymity. These I used for hours. The painter remained unaware of my presence throughout. And although I couldn’t see what he painted, I took a certain satisfaction in knowing I would.

As the sun evaporated into the river in tangerine bursts, things changed. The poor fellow’s inability to capture what he wished gained momentum until, in one shrieking outburst, he threw his palette away. It landed upside down in the water.

I expected to see a brief flash of vermillion, perhaps a touch of violet, cerulean or emerald green; there was only black. The paint bled into the river like a cut vein during an eclipse. Spilled ink might have described it, but ink had a purpose and this did not. What a waste. What a terrible waste.

I clasped a hand to my mouth, but too late. The cough echoed into infinity.

The painter turned. He wept. Tears streamed from his old, rheumy eyes.

“I’m sorry,” I spluttered.

The painter looked right through me, right into my soul. His eyes took in my colours, my personal palette. He refused to stop swamping me in his sorrows. I feared we’d both drown.

When the sun disappeared below the horizon with a pfft of extinguished flame, only then did he look away. To heaven, actually.

“Ah,” he crooned. “Now I remember.”

“Remember what?” The words left my lips without permission.

“Raven. Her hair was raven. If only I’d not tossed my paints away. Ah, well!”

Head drooped and feet shuffling, the painter packed up his belongings and made to leave. He paused as the moon came out in mercury silvers, turned back. “Never forget what she looks like, young man.”

“I won’t,” I promised.

With that, he departed. I never saw him again.


I often looked back and mulled over his words. He’d seemed so genuine. But only as I too regarded her bone white features and robes of liquid obsidian, did I know who he meant. I couldn’t have captured her raven hair either, as her ebony eyes already held my own.

An End.


Thank you for reading.

Richard

Photo by Allef Vinicius on Unsplash

They

Photo by Ryoji Iwata on Unsplash

They differ to us substantially. The most apparent of these is their appearance. We stand upon two legs, make our way through a tactile world with two hands and regard our universe through two eyes. In a more direct description, we are paired. This pairing navigates beyond the physical into the realms of belief. We believe we should live our lives in pairs, couples, if you will, so we do. We are a species who thrive in the plural. A species must thrive if it wishes to endure.

They exist in the singular, derived from a singular entity, one that split to spawn many. Wherever possible, they refrain from interaction and keep to themselves. They live alone, talk alone and enjoy doing so. Physically, we are comparable, but they do not see it this way. They look through two eyes, but act as though looking through none. They have two legs, but refuse to use them unless necessary. Their paired arms and hands have become so conjoined with technology, they have become indistinguishable from the greater whole.

Their name? They have many names and many subsets. They dislike being classified as many and prefer singular — as is their way — identification. My colleagues term them vermin, but the correct and almost forgotten genus is human. They are a strange lot, yet as a scientist, I find them intriguing. Though at their present rate, I suspect I shall not for much longer.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Haiku 10

Artwork by me

tired skies beckoning
the pale-faced insomniac
familiar blankets


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Neither Here Nor There

Image taken by me

Cold was the morning you frosted away like a slender white shadow escaping the sun. Freezing, if truth be known. A displaced moonbeam marked your demise. A creaking branch acknowledged my own. Such inglorious departures for two once lovers on this our final goodbye. Perhaps we were never meant to be.


In veins cut and blood lost, I departed.


The malaise came in breaths made mists. They gathered. They loomed. I cowered.


There was no moon, no setting sun, just an eternal twilight, or closer, a damnable dusk.


Time passed.


Memories, however, were never so easily vacated. Tidal in their surges, relentless in their crashing intent, all that I, we, and everything in between had been, regathered. The pages of our book un-tore themselves.


And still, I wanted more.


Lost in the fogs of neither here nor there, I wandered in a landscape of dread morbidity. To the passing recollections of others, I appeared furrowed of brow and dangerous. To those who’d had less than we, I gleamed. Ghosts avoided me. Nature abhorred me. They were right to. 

As for her?


I wished to forget, no longed to, to move on to other planes of existence. I determined to build such thorny, impenetrable barriers as to have bricked her away in my mind’s darkest recesses. And I tried. Yes, I tried.


But those emerald eyes were hard to stifle, lush spring grasses dripping with dew. That’s how I remembered her, weeping. Always weeping.


Days became months and months became more, the centuries amassing in insurmountable massifs, my own private Himalayas. Yet, I climbed with intent and rejoiced in the starlight, for the stars were what I imagined. Some latent wish to stand atop the world and scream her name, persevered. A desire so strong it dragged me up, up, up and away towards the light. My legs pumped, growing stronger with every step. My flexing fingers crushed granite, grappled with purgatory itself. But it wasn’t purgatory, not limbo, not any of those self-titled places between places. As I said, neither here nor there.


I heard her voice as a rainbow all bright light coruscating through the rain clouds. She burst from above and drove me to distraction; it was all I’d ever hoped for and more. No echoing torment was this, no indeterminable dream. It came again, a sonic confirmation.


The veil dropped as though from a blushing bride, and Hell dropped away with it. The Earth with all its colours lay before me in its patchwork perfection. Heaven’s gates rested at my fingertips.


Say her name. Just say her name. Say her name and all shall be returned to you traveller, for your love is binding, tied tighter than infinity’s restrictions.


And I wept as they spoke, or sang, or kissed my stone-cold cheek. Blessed were the angels. I was back. Well, almost.


Lips that had not spoken in eternity pursed through my smile. They readied. They dared me to stop them.


Sweet release.


But everything one wished for was never so easy. Death, like life, was never meant for cheating. And though it rattled around my cavernous mind like an avalanche down a mountain, her name had gone.


I tired. We all do eventually. I tired of remembering, of forcing what time had lost. I succumbed.


Only when the fog once again entwined my soul in its lover’s embrace did I remember. Only then. I remembered why I’d forgotten it, too, and wandered forever away.

 

The End.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.