Britannia Unleashed – Audiobook Now Available!

I am delighted to announce the arrival of Britannia Unleashed not only in all book formats but also as an Audiobook.

Available now from Audible and Apple Books, my story is magnificently read by the English narrator Michael Langan as a full unabridged version. His reading is exceptional. For anyone who enjoys Victorian Alternate History, Steampunk, or just outright Adventure, you’ll have one hell of a ride.

Audible.co.uk

Audible.com

Britannia Unleashed by Richard M. Ankers. Narrated by Michael Langan.

Here’s a taster

The Unmade

“They must be unmade, Robert.”

“I cannot.” 

“Her Majesty wishes them expunged.”

“I shall not.”

“If you do not, Master Swift, then it will be your position within Her Majesty’s government that is unmade.” The elder man creaked leather-gloved hands together, wringing every last syllable from his over-emphasised words. 

“How long do I have to consider your request?” Robert swept long, dark hair from his gaunt face, the hours spent in his workshop given clear definition by the single, flickering candle.

“How long? How long! Did I not make myself clear? The order has not come from some vagabond, some chance met acquaintance, some nobody, it has come from Queen Victoria herself. There are no ifs, maybes, or buts when discussing Her Majesty’s orders. One simply does as one’s told and does not question it. People that do oft’ regret it.”

“Is that a threat, Carrington?” Robert bristled in his seat, the glass of wine held in his right hand quaking at his intonation. A trace of the old fire sparked in the inventor’s tired eyes but soon dimmed to embers.

“That is Lord Carrington to you, Swift.”

“Or else?”

“One can be made to act as required. Facts and threats are rarely grouped together.”

“Then if I am not being threatened and am still allowed the freedom of choice, I refuse. I could no sooner unmake my left leg than I could my children.”

“Children!” Lord Carrington jumped to his feet as a man half his years should. “They are not your children; they are your handiwork. They are automata, constructs, or any number of other things, but when one sieves through the salient details of this disagreement, one will find one unequivocal and singular truth.”

“And that is?”

“That every one of those metal mishaps is the property of Her Majesty Queen Victoria, your sovereign and empress of half the world. She would rule the other half, too, if she wished it, but that is by the by. So, I ask again, will you unmake those you have created to facilitate the prolonging and general longevity of your monarch’s reign? Will you uncreate those designed to bring immortality to Her Majesty? Will you remove the criteria for others to do the same?” Lord Carrington ended the sermon with a sharp thrust of fist to desktop sending his own crystal-cut glass shattering to the floor.

“But why?”

“As I have stated, ours is not to question why.”

Robert took a deep, long breath and rubbed at his temples. “It is only through my children, their nature, their existence, that Her Majesty still functions. It is my children’s technologies that have inspired her adjustments. They have gifted her life, saved her life, it makes no sense to deprive herself of future corrections. She might die because of it!” Robert tore at his hair with frustration at the whole affair before regaining his composure. “Lord Carrington, I ask you again as a man I once held great respect for, why? Britannia would be without its Queen if not for my children.”

“Your point being?”

“My point being, without them she’d have died years ago. The explosive aftermath of Sir Belvedere’s vanishing would have killed her. Should have killed her. She bore its brunt yet lived. A miracle prolonged by my children.”

“How do you know about that? Carrington barked.

“My dear man, every citizen of a certain standing knows about that and certainly those who have dealt with its repercussions.”

“I see,” glared Carrington.

“What has Headlock to say about this, or Cuthbert, or even Monk, though I cannot abide the man?”

“It matters not what they say, think or do, because they are not she.”

“Then we have nothing further to discuss. I shall not be party to exterminating our Queen even if she sees it otherwise, and as I have stated, I shall not murder my family.”

“So, I am to gather from that little monologue that you are unwilling to concede them.” Lord Carrington spat the final word.

“I will not, and they have left already. I could no sooner divulge their location than I could the contents of your sick mind.” Robert folded thin arms across his charcoal-suited chest and crossed one leg over the other in defiance.

Lord Carrington eyed him with a venom that the Britannian elite reserved solely for the underclasses; a societal standing Robert belonged to and was only too aware of. He sought to see inside the younger man’s soul with those jet-black eyes, to unpick the contents of his inner being. When he seemed certain of Robert’s underlying character, sniffing it away with a snoot, he bellowed, “Guards!”

Two men of imposing physiques dressed from head to toe in Her Majesty’s colours, a sure sign of her involvement, burst through the study door.

“Take Master Swift into confinement. Somewhere remote should serve best. He shall be dealt with at the Crown’s convenience.” 

The two men nodded in symmetry.

“Oh, and gentleman.”

“Your Lordship,” one replied through a voice like crushed bricks.

“Make it an unpleasant arrival.”

“With pleasure, Your Lordship,” the same answered, as the other advanced on his prey.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Snippets from a Lost Soul’s Diary

Photo by Emerson Peters on Unsplash
Photo by Emerson Peters on Unsplash

…and though the world fell all about like tarnished snowflakes shaved from an iron sky, I walked on. My father’s words rang through my ears in those moments, loud and true. How, when he’d lain there on his deathbed with nothing, having been nothing, having proven nothing, he’d still dared to influence my butterfly future. He’d pursed his lips together as though having eaten a lemon, his eyes squinting, and hissed, “Make do, son. It’s all you’re good for.” I’d closed his curtains and walked away. I never stopped.
…there was a truth in the recalled memory, but not my own. Mankind had made do and then panicked when realising themselves having stagnated. I, on the other hand, would never stagnate, for light always reaches the horizon, and then the next, and then another, until finally touching the shore. I would break upon hers, even if I walked through a thousand such chaotic nightmares. What other choice had I? That’s what lost souls were for.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

The Me I Once Was

Photo by Marek Piwnicki on Unsplash
Photo by Marek Piwnicki on Unsplash

Transparent times made for invisible people, and I was more invisible than most. Where others had lips, cheeks, chins and expressions, I had an outline that wavered as a golden mist. Where others had eyes, I had hollows, and it was in these where all my sorrows pooled.
To weep without salinity, tracks, or wetness, is to not weep at all, yet I did. The flow was constant and the craving for more irreversible. Perhaps this was what prompted my transition from nothing, to something, to more.
A ghost is the very personification of gone, so to make gone return, took effort. I strained every atom, recalled every memory, coalesced from that dream termed death. But return, I did.
My hands and feet came first, like an erased pencil sketch redrawn from somebody else’s perspective: I was not the me I once was. A fully formed torso and face came next; I touched them and wept some more. It was this that gave my true self away, the agony of my situation. There was still no water and no tear. When I touched at my eyes, they too were missing, my newly formed fingers passing straight into my hollow skull.
It was several days and close to midnight before I took the decision to stop trying. I hovered at the end of my once wife’s bed. She noticed.
The light flicked on before I could move, and there I was facing the mirror, or rather, most of me was. I fled.
I still haunted our old house long after Karen passed. My wife never came back. I tormented those others, then those after them, and then many more. I waited for the one who might have my eyes, but, of course, I never saw them.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

In Dialogue – I Must be Brief

Photo by Chayan Purkait on Unsplash
Photo by Chayan Purkait on Unsplash

“I must be brief. By which I mean, to the point, or as some say, succinct. There is no sugarcoating this issue. No, how does one term it, beating around the bush. Being concise is of the utmost importance. Of this, there can be no dispute. I shall tell it as it is, plain and simple. To embellish would be to waste time, and time is a commodity one must cherish. I shall shock and disturb with my unerring bluntness. I shall hit the nail straight upon its head. My mind is focused. My intent is as unwavering as a sharpened, cutting edge, dagger-like. The words I have chosen are plucked from a pantheon of such for this one specific purpose. Oh yes, my young friend, you shall see how direct I shall become. You will see.”
“See what?”
“The details I must impart, of course. For they are of a delicate nature, thus this exacting conversation. To see it is to believe it, but to be told it, well… it must be indisputable. You see, my attentive, well-meaning fellow, he’s gone to meet his maker.”
“He’s what?”
“He’s defunct, lost, gone, departed, irrefutably non-existent.”
“Yeah, I know.”
“You do! How so?”
“Shall I be brief?”
“Please, I should appreciate your not withholding those same indelicacies that I have not withheld from you. I would want it no other way. There is no other way. So, yes, you must be brief. In fact, I demand it.”
“I shot him.”
“Oh.”


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Un-Blue


Photo by Silas Baisch on Unsplash

Her eyes were the colour of the open sea, transitioning from calm to storm, rippling in sargasso blue, almost indigo, deep and dark, yet tepid. This changed as she changed. Her demeanour ignited. The calm still of the soul she hid so well rippled into being. Those waters that were her eyes pulsed a cerulean mirage. She brooded. I gulped.

Seconds became minutes became more, or so it seemed, and the storm she’d often threatened whirled a maelstrom of frothing cobalt. Hurricane winds tore at her kelp fields for lashes. All the energies of all the seas manifested as a single violent ocean. She churned. I feared.

The abyssal depths had nothing on her, as she exploded in ultramarine, a devastating tsunami. The tears poured forth not from sorrow, but absolute rage. Her world was my world, one of liquid purification. She laughed as I wept, as I fell, as I dreamed a torrent of lies.

I awoke to a strange sensation of bobbing, and her calm again cyan orbs.

“Sorry,” I murmured.

“I know,” she breezed and leant in closer.

She pressed. I dipped beneath the waves. The blue faded to something darker.


The drowning didn’t kill me, just the reality of my foolishness: Her eyes had never been blue, but as black as her cold, dead heart.

The End


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

The Clockwork Chronicles – New Release!

I’m very proud to be one of thirteen authors included in The Clockwork Chronicles, a fabulous new anthology from Madhouse Books.

My story ‘Irregular Constructions‘ is a personal favourite piece, so it means a lot.

The book is available in all formats as of today.

Here’s a little video too: The Clockwork Chronicles

The Clockwork Chronicles

Thank you for reading
Richard


And with an extra dollop of self-promotion…

Here’s the link to my latest release, a book many years in the making.

Richard M. Ankers
Author of the brand new Steampunk Extravaganza Britannia Unleashed

The Blackbird Sings

Photo by Andrea Tummons on Unsplash

I wake. I weep. My blackbird alarm clock chirps all the louder, only adding to this hell. 

I dress. I fall. The belt I wrap twice about me fails to secure. Will I ever learn!

I eat. I drink. The race to the toilet is a mismatch, and I’m the loser. 

I dress… partly. For once, I use my head and don’t bother with pants. Take that fate! Yeah, take that.

I mow. I rake. Several women and a few giggling schoolgirls shout or point or scream or jeer.

I work. I slave. There’s always a distraction, but never a distraction enough. 

I avoid. I blur. My beat-up Volvo hovers on the periphery, catching the light in concave shadows and rusting browns. 

I vacate. I climb. The shower beckons a sweat-stealing pleasure. But I don’t deserve pleasure, so head to my room, instead. 

I undress. I collapse. My eyes close like shutters this evening, midnight filling the void. 

I dream. I scream. They are here, as always, unblemished by blood or glass or broken bones, or my drunken incompetence. 

I hope. I pray. Perhaps this time that blackbird named Death will let me die in peace. 

Chirrup! Chirrup! No release today. 


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

The Shivering

Photo by Stefano Pollio on Unsplash
Photo by Stefano Pollio on Unsplash

The shiver began at his navel and radiated out like a pebble tossed in a pond. Uneasy sensations swept through the boy’s torso, down his limbs to tingle his fingertips, rattle his teeth, curl his toes. Just when he thought there was nowhere else to go, the shiver shook the earth at his feet, shattering a rock as though crystal and dislodging several worms.
“Am I dead?” he asked no one in particular.
“No.” The voice came as even more of a shock than his shivering, which for now had departed.
“Then what?” he asked, undeterred.
“You are changing. You are… how does one put it politely, on the move.”
The boy hung his head as though ashamed, seeing his shiver had cracked open the ground, into which he descended. This was not a plummet by any means, rather, a falling leaf caught by a breeze.
He watched as the light of the sun he’d grown so used to shrank back into a pinprick star. This, too, soon vanished, leaving him all alone in a smothering darkness. Every sensation of movement had gone.
The boy imagined himself to have fallen asleep because he woke to a fog and his shivering having returned tenfold. His arms shook like a hummingbird’s wings. His head vibrated like a shaken cocktail mixer. A grey gloom pulsed around him as if to help, like the sponge packing around a box containing a priceless vase.
“All out of questions?” came the voice again. Definitely female, and smooth as velvet, it coerced the boy with uncomplicated kindnesses.
“No.”
“Not a one? You are an unusual young man! Most of your kind are so flummoxed all they can do is ask questions. Most of which I cannot answer,” she added, as an afterthought.
The boy placed a hand on his tummy. He grimaced and chewed his lip.
“Sure?” The voice was almost in his ear. “It is my burden to explain the unexplainable.”
“Well, I suppose there’s one thing.”
“Anything, dear boy. You shall have an eternity to dwell upon the answer, as has all mankind. For no one, not one soul, enters the realm above or below without first passing through purgatory. You might as well ask something to tide you over until you’re judged.”
The boy felt a stale wind assail his nostrils, heard the smacking of lips. It sparked something he just had to know.
“Tell me, Death, if that is who you are, was it the kippers or the eggs?”


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Of Words and Their Consequences

Photo by Trey Gibson on Unsplash
Photo by Trey Gibson on Unsplash

There was no particular difference in our styles. We wrote as we were, evil and worse. Yet, there were discrepancies. Some might have termed them oddities.

Kara had a propensity to exaggerate situations. I had an inclination to err. Only when our shared editor pointed this out did we ourselves notice.

It became a farce, our correcting each other. Soon after, it became more, each desperate to put the other right. Our editor said it didn’t matter. But it did.

I tore up all her notepads. She snapped my pencils in half. I flushed her ink down the toilet. Kara laced mine with something she ought not; she knew I sucked my pen whilst thinking.

I died on a Monday. Kara spoke at my funeral just three days later. I rose from my coffin and laughed when she said how good a husband I’d been. Our editor, now her editor, laughed too.

Kara self-published her book; it was under-appreciated by others and overrated by her. I read it over a person’s shoulder whilst haunting a toilet. Neither the manuscript nor the toilet was clean.

When Kara joined me in the afterlife, we joked about it. Our editor was now God. Neither of us liked what he had to say.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.

Moonscapes and Melancholy

I am very pleased to have had my short story ‘Moonscapes and Melancholy‘ published today by Lothlorien Poetry Journal. Those who know me will know I don’t make a big song and dance about such things, though I should, but this journal is a real beauty. I would encourage anyone who writes short prose, fiction and poetry to head over there and take a look at what they require.

Image as used by Lothlorien Poetry Journal

Here is the link to Moonscapes and Melancholy for anyone who would like to read it.

And here is the link to the Lothlorien Poetry Journal main page.

A big thank you to the editor Strider Marcus Jones for the inclusion.


Thank you for reading
Richard

Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed

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