Transparent times made for invisible people, and I was more invisible than most. Where others had lips, cheeks, chins and expressions, I had an outline that wavered as a golden mist. Where others had eyes, I had hollows, and it was in these where all my sorrows pooled.
To weep without salinity, tracks, or wetness, is to not weep at all, yet I did. The flow was constant and the craving for more irreversible. Perhaps this was what prompted my transition from nothing, to something, to more.
A ghost is the very personification of gone, so to make gone return, took effort. I strained every atom, recalled every memory, coalesced from that dream termed death. But return, I did.
My hands and feet came first, like an erased pencil sketch redrawn from somebody else’s perspective: I was not the me I once was. A fully formed torso and face came next; I touched them and wept some more. It was this that gave my true self away, the agony of my situation. There was still no water and no tear. When I touched at my eyes, they too were missing, my newly formed fingers passing straight into my hollow skull.
It was several days and close to midnight before I took the decision to stop trying. I hovered at the end of my once wife’s bed. She noticed.
The light flicked on before I could move, and there I was facing the mirror, or rather, most of me was. I fled.
I still haunted our old house long after Karen passed. My wife never came back. I tormented those others, then those after them, and then many more. I waited for the one who might have my eyes, but, of course, I never saw them.
Thank you for reading
Richard M. Ankers
Author of the brand new steampunk extravaganza Britannia Unleashed.